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Sean Parker Eduardo Saverin and Mark Zuckerberg Friends Again

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2010 biographical drama picture by David Fincher

The Social Network
On top of a man's face, in white font, the phrase "You Don't Get To 500 Million Friends Without Making A Few Enemies" appears, covering most of the poster. Underneath, the words "The Social Network" are presented in a Facebook-esque style and logo.

Theatrical release poster
Directed by David Fincher
Screenplay by Aaron Sorkin
Based on The Accidental Billionaires
by Ben Mezrich
Produced past
  • Scott Rudin
  • Dana Brunetti
  • Michael De Luca
  • Ceán Chaffin
Starring
  • Jesse Eisenberg
  • Andrew Garfield
  • Justin Timberlake
  • Armie Hammer
  • Max Minghella
Cinematography Jeff Cronenweth
Edited by
  • Angus Wall
  • Kirk Baxter
Music by
  • Trent Reznor
  • Atticus Ross

Production
companies
  • Columbia Pictures
  • Relativity Media
  • Scott Rudin Productions
  • Michael De Luca Productions
  • Trigger Street Productions
Distributed by Sony Pictures Releasing

Release dates
  • September 24, 2010 (2010-09-24) (NYFF)[ane]
  • October 1, 2010 (2010-10-01) (Us)

Running time

 120 minutes[2]
Land United States
Linguistic communication English
Budget $40 one thousand thousand[3]
Box office $224.9 1000000[iii]

The Social Network is a 2010 American biographical drama pic directed past David Fincher and written past Aaron Sorkin. Adjusted from Ben Mezrich'south 2009 book The Accidental Billionaires, information technology portrays the founding of social networking website Facebook and the resulting lawsuits. It stars Jesse Eisenberg as founder Mark Zuckerberg, along with Andrew Garfield equally Eduardo Saverin, Justin Timberlake every bit Sean Parker, Armie Hammer as Cameron and Tyler Winklevoss, and Max Minghella equally Divya Narendra. Neither Zuckerberg nor any other Facebook staff were involved with the projection, although Saverin was a consultant for Mezrich's book.[4]

Production of the film began in 2009, when Eisenberg, Timberlake, and Garfield were all announced to star. Principal photography began that same year in October in Cambridge, Massachusetts, and lasted until November. Additional scenes were shot in California, in the cities of Los Angeles and Pasadena, as a portion of the film was set in Silicon Valley. In 2010, it was announced that Trent Reznor and Atticus Ross would create the film's score, which released on September 28, 2010.

The film released in the U.s.a. by Columbia Pictures on Oct ane, 2010. A major critical and commercial success, the film grossed $224 meg on a $xl 1000000 upkeep and was widely acclaimed past critics. It was named one of the best films of the year by 78 critics, and named the all-time by 22 critics, the most of any picture show that year. It was also called by the National Board of Review as the best moving picture of 2010. At the 83rd Academy Awards, it received eight nominations, including for Best Picture, Best Director, and All-time Role player for Eisenberg, and won three: Best Adjusted Screenplay, All-time Original Score, and Best Pic Editing. Information technology besides received awards for Best Moving-picture show – Drama, Best Director, All-time Screenplay, and All-time Original Score at the 68th Gilded Globe Awards.

The Social Network has maintained a strong reputation since its initial release, and is normally cited by critics as one of the best films of its respective decade and century.[5] [6] [vii] [8] The Writers Order of America ranked Sorkin's screenplay the tertiary greatest of the 21st century.[9] While no official sequel has been appear, Sorkin has publicly expressed interest and willingness to write a screenplay for 1 should Fincher return to direct.[x]

Plot [edit]

On October 28, 2003, 19-yr-old Harvard University sophomore Mark Zuckerberg is dumped past his girlfriend, Erica Albright. Returning to his dorm, Zuckerberg writes an insulting post nearly Albright on his LiveJournal blog. He creates a campus website chosen Facemash by hacking into college databases to steal photos of female students, then allowing site visitors to rate their attractiveness. After traffic to the site crashes parts of Harvard'southward computer network, Zuckerberg is given half-dozen months of academic probation. However, Facemash'southward popularity attracts the attention of twins Cameron and Tyler Winklevoss and their business partner Divya Narendra. The trio invites Zuckerberg to work on Harvard Connection, a social network sectional to Harvard students and aimed at dating. Zuckerberg approaches his friend Eduardo Saverin with an idea for The Facebook, a social networking website that would exist exclusive to Ivy League students. Saverin provides $1,000 in seed funding, assuasive Zuckerberg to build the website, which chop-chop becomes popular. When they larn of The Facebook, the Winklevoss twins and Narendra are incensed, believing that Zuckerberg stole their idea while misleading them by stalling evolution on the Harvard Connection website. They raise their complaint with Harvard President Larry Summers, who is dismissive and sees no value in either disciplinary activity on The Facebook or Zuckerberg.

Saverin and Zuckerberg meet fellow student Christy Lee, who asks them to "Facebook me," a phrase that impresses them. Every bit The Facebook grows in popularity, Zuckerberg expands the network to Yale University, Columbia University, and Stanford Academy. Lee arranges for Saverin and Zuckerberg to meet Napster co-founder Sean Parker, who presents a "billion-dollar" vision for the company. Zuckerberg is impressed, simply Saverin dismisses him equally paranoid and delusional. Parker also suggests renaming the site to Facebook. Later, Zuckerberg relocates the visitor to Palo Alto on Parker's advice; Saverin remains in New York to work on business organization evolution. Parker afterwards moves into the house that Zuckerberg is using as a base of operations of operations and becomes more involved with the visitor, much to Saverin'south annoyance.

While competing in the Henley Majestic Regatta for Harvard against the Hollandia Roeiclub, the Winklevoss twins discover that Facebook has expanded to Europe with Oxford, Cambridge and LSE, and determine to sue the company for intellectual belongings theft. Meanwhile, Saverin objects to Parker making business decisions for Facebook and freezes the visitor'southward depository financial institution account in the resulting dispute. He relents when Zuckerberg reveals that they have secured $500,000 from affections investor Peter Thiel. Saverin becomes enraged when he discovers that the new investment deal allows his share of Facebook to be diluted from 34% to 0.03% while maintaining the buying percentage of all other parties. He confronts Zuckerberg and Parker, and Saverin vows to sue Zuckerberg before existence ejected from the building. Saverin's name is removed from the masthead as co-founder and CFO. Later, Parker is apprehended for cocaine possession at a party celebrating i 1000000 users. He attempts to blame Saverin, so Zuckerberg cuts ties with him, telling him to "go home."

In split depositions, the Winklevoss twins merits that Zuckerberg stole their idea, while Saverin claims his shares of Facebook were unfairly diluted when the company was incorporated. Marylin Delpy, a junior lawyer for the defence force, informs Zuckerberg that they will settle with Saverin since the sordid details of Facebook'southward founding and Zuckerberg'due south draconian attitude will make him unsympathetic to a jury. Alone, Zuckerberg sends a Facebook friend request to Albright and repeatedly refreshes the page. Texts show maxim the Winklevoss twins received a settlement of 65 meg dollars, signed a non-disclosure agreement, and rowed for the U.Southward. Olympic team in Beijing, placing sixth. Eduardo Saverin received an unknown settlement and his name got restored to the Facebook masthead. Facebook has 500 million members in 207 countries, is currently valued at 25 billion dollars, and Marking Zuckerberg is the youngest billionaire in the earth.

Cast [edit]

  • Jesse Eisenberg as Mark Zuckerberg[11]
  • Andrew Garfield as Eduardo Saverin[12]
  • Justin Timberlake as Sean Parker[thirteen]
  • Armie Hammer as Cameron and Tyler Winklevoss[xiv]
  • Max Minghella equally Divya Narendra[14]
  • Brenda Song as Christy Lee[14]
  • Rashida Jones equally Marylin Delpy[15] [16]
  • John Getz as Sy[17]
  • David Selby every bit Gage[17]
  • Denise Grayson as Gretchen[17]
  • Douglas Urbanski as Larry Summers[17]
  • Rooney Mara as Erica Albright[14]
  • Joseph Mazzello equally Dustin Moskovitz[14]
  • Dustin Fitzsimons as The Phoenix – S Thousand Club President[18]
  • Wallace Langham equally Peter Thiel[19]
  • Patrick Mapel as Chris Hughes[xiv]
  • Dakota Johnson as Amelia Ritter[fourteen]
  • Malese Jow every bit Alice Cantwel[20]
  • Trevor Wright as B.U. Guy in Bra[17]
  • Shelby Young every bit K.C.[21]
  • Aaron Sorkin as Ad Executive[17]
  • Steve Sires every bit Bill Gates[22]
  • Caleb Landry Jones equally a fraternity blood brother[23]

Josh Pence is the trunk double for Hammer, whose likeness was digitally imposed onto Pence's body. He is listed in the terminate credits equally playing Tyler Winklevoss alongside Hammer. He besides appears in a cameo role every bit the human being detoured from the bathroom by Zuckerberg and Saverin.[24]

Production [edit]

Screenplay [edit]

Screenwriter Aaron Sorkin said, "What attracted me to [the flick projection] had nothing to practise with Facebook. The invention itself is as modern as information technology gets, just the story is every bit old as storytelling; the themes of friendship, loyalty, jealousy, class and power." He said he read an unfinished draft of The Accidental Billionaires when the publisher began "shopping information technology around" for a motion picture adaptation. According to Sorkin, "I was reading it and somewhere on folio three I said yes. It was the fastest I said yeah to anything ... They wanted me to first right away. Ben and I were kind of doing our enquiry at the aforementioned fourth dimension, sort of along parallel lines."[25]

According to Sorkin, Mezrich did not send him material from his book as he wrote it: "Two or 3 times we'd get together. I'd become to Boston, or we'd see in New York and kind of compare notes and share information, simply I didn't see the volume until he was done with information technology. By the time I saw the book, I was probably lxxx percent done with the screenplay."[25] Sorkin elaborated:

There's a lot of bachelor research, and I also did a lot of starting time person research with a number of the people that were involved in the story. I tin't go too deeply into that because almost of the people did it on the condition of anonymity, but what I plant was that 2 lawsuits were brought against Facebook at roughly the same time, that the accused, plaintiffs, witnesses all came into a deposition room and swore under oath, and three different versions of the story were told. Instead of choosing one and deciding that's the truest one or choosing 1 and deciding that's the juiciest 1, I decided to dramatize the idea that at that place were three different versions of the story existence told. That's how I came up with the construction of the deposition room.[25]

Casting [edit]

Casting began in mid-2009, with Jesse Eisenberg, Justin Timberlake, and Andrew Garfield announced to star.[26] [27] Jonah Loma was in contention for Timberlake's role, but managing director David Fincher passed on him.[28] In October 2009, Brenda Song, Rooney Mara, Armie Hammer, Shelby Young, and Josh Pence were cast.[29] Max Minghella and Dakota Johnson were also confirmed.[29] In a 2009 interview with The Baltimore Sunday, Eisenberg said, "Even though I've gotten to be in some wonderful movies, this grapheme seems so much more than overtly insensitive in so many means that seem more existent to me in the best fashion. I don't frequently get cast as insensitive people, so it feels very comfortable: fresh and heady, as if y'all never have to worry about the audition. Non that I worry about the audience anyway – it should be just the furthest thing from your mind. The Social Network is the biggest relief I've ever had in a flick".[30] In 2010, information technology was mentioned that Rashida Jones would appear equally Marylin Delpy.[xvi]

Filming [edit]

Principal photography began in Oct 2009 in Cambridge, Massachusetts.[31] Scenes were filmed around the campuses of two Massachusetts prep schools, Phillips Academy and Milton Academy.[32] Additional scenes were filmed on the campus of Wheelock College, which was prepare to exist Harvard's campus.[33] (Harvard has turned downwardly almost requests for on-location filming e'er since the filming of Love Story (1970), which acquired significant physical harm to copse on campus.)[34] Filming took place on the Keyser and Wyman quadrangles in the Homewood campus of Johns Hopkins University from November 2–four,[35] which also doubled for Harvard in the film.[36] The outset scene in the film, where Zuckerberg is with his girlfriend, took 99 takes to finish.[four] The pic was shot on the Ruby-red One digital movie theatre photographic camera.[37] The rowing scenes with the Winklevoss brothers were filmed at Community Rowing Inc. in Newton, Massachusetts[38] and at the Henley Royal Regatta; miniature faking process was used in a sequence showing a rowing event at the latter.[39] Although a significant portion of the latter half of the film is set up in Silicon Valley, the filmmakers opted to shoot those scenes in Los Angeles and Pasadena.

Armie Hammer, who portrayed the Winklevoss twins, acted aslope body double Josh Pence while his scenes were filmed. His face up was afterwards digitally grafted onto Pence's face during post-product, while other scenes used split-screen photography. Pence was concerned about having no face time during the role, but after considerable musing thought of the role every bit a "no-brainer". He too appears in a cameo part elsewhere in the picture show.[24] Hammer states that director David Fincher "likes to push himself and likes to push technology" and is "1 of the most technologically minded guys I've ever seen."[40] This included sending the actors to "twin boot camp" for x months to learn everything about the Winklevosses.[24]

Rowing production [edit]

Harvard'southward rowing tradition is depicted in the film.

Community Rowing Inc. held a casting call and a tryout for 20 rowing extras; some were graduates from Harvard, Northeastern University, Boston University, George Washington University, and Trinity Higher, every bit well as local club rowers from Spousal relationship Boat Club and Riverside Boat Club.[41] None of the bandage rowing extras for the Henley Royal Regatta racing scene appeared in the motion-picture show; filming for the race was originally planned to have identify in Los Angeles, but Fincher decided to film in England during production.[42]

David Fincher hired Loyola Marymount double-decker Dawn Reagan to help train Josh Pence and Armie Hammer.[43] While Hammer was new to the sport, Pence rowed previously at Dartmouth Higher.[43]

The indoor rowing scene was filmed at Boston Academy's indoor rowing tanks. All of BU's bluish oars in the scene were repainted to Harvard's red colour for filming. Dan Boyne was the official rowing consultant in the United states of america and the UK.[42]

Soundtrack [edit]

On June 1, 2010, information technology was announced that Trent Reznor and Atticus Ross would score the film.[44] The soundtrack was released September 28 in diverse formats nether the Zip Corporation label.[45] Leading up to the release of the soundtrack, a complimentary five-track EP was made bachelor for download.[46] The White Stripes' song "Ball and Biscuit" tin be heard in the opening of the movie and The Beatles' song "Baby, Y'all're a Rich Homo" concludes the pic. Neither song appears on the soundtrack album.

Reznor and Ross won the honour for Best Original Score at the 2011 Golden World Awards,[47] every bit well as the 2011 Academy Award for Best Original Score.

Marketing [edit]

Affiche [edit]

The outset theatrical poster, designed by Neil Kellerhouse, was released on June xviii, 2010.[48] Equally Kellerhouse previously designed posters for the films of Steven Soderbergh, manager David Fincher'due south friend, he was contacted by Ceán Chaffin in late 2009 to work on the key art for The Social Network, which had to make sole use of one canonical photograph, that of Eisenberg's caput.[49] Every bit he wanted to highlight the tremendous drama that went with Marking Zuckerberg'due south success, Kellerhouse idea of the tagline "You lot don't go to 300 million friends without making a few enemies"; he would later adjust the line to "500 1000000 friends" in anticipation of Facebook reaching 500 million users past the film's release engagement.[49] Kellerhouse's poster has been praised for its unique and "striking" pattern, and alongside his piece of work for the film I'm Still Hither, has since become highly influential in motion picture marketing; posters for The King'southward Spoken communication and The Armstrong Lie strongly evoked the poster's blueprint format.[50] [51]

Trailers [edit]

The picture show's first teaser trailer was released on June 25, 2010.[52] The 2nd teaser was released on July viii.[53] The full length theatrical trailer debuted on July xvi, 2010, which plays an edited version of the song "Pitter-patter", originally by Radiohead, covered by the Belgian choir group Scala & Kolacny Brothers.[54] [55] The trailer was and then shown in theaters, prior to the films Inception, Dinner for Schmucks, Salt, Easy A, The Virginity Hit, and The Other Guys. The theatrical trailer, put together by Mark Woollen & Assembly, won the Yard Key Art award at the 2011 Key Art Awards,[56] sponsored by The Hollywood Reporter, and was besides featured on The Film Informant 'southward Perfect x Trailers in 2010.[57]

Release [edit]

The Social Network had its first screening at the New York Film Festival on September 24, 2010.[1]

Box office [edit]

The pic was released in theaters in the United States on the weekend of October one–3, 2010. It debuted at No. one, grossing $22.4 meg in 2,771 theaters.[three] The picture show retained the pinnacle spot in its second weekend, dropping merely 31.2%,[3] breaking Inception 's 32.0% record as the smallest second weekend drop for whatever number-one film of 2010, while existence the 3rd-smallest overall backside Secretariat 's 25.one% driblet and Tooth Fairy's 28.6% drop. At the stop of its theatrical run, the film grossed $97 one thousand thousand in the United States and $128 meg in other territories for a worldwide total of $224.9 one thousand thousand.[three]

Critical reception [edit]

On review aggregator Rotten Tomatoes, the movie has an approval rating of 96% based on 326 reviews, with an boilerplate rating of 9/10. The website's critical consensus reads, "Impeccably scripted, beautifully directed, and filled with fine performances, The Social Network is a riveting, aggressive example of modern filmmaking at its finest."[58] On Metacritic, the picture has a weighted boilerplate score of 95 out of 100, based on 42 critics, indicating "universal acclaim".[59] Audiences polled by CinemaScore gave the film an average grade of "B+" on an A+ to F calibration.[60]

From The Guardian, Peter Bradshaw gave the film four stars, praising David Fincher's directing equally the "right intensity and claustrophobia for a story that takes place largely in a stupefyingly male environment at Harvard Academy in 2003".[61] In her review for The Verge, Kaitlyn Tiffany wrote positive comments on Aaron Sorkin's screenplay, writing that his "reflex for writing witty, whiny men with outsized intellect and poorly bearded narcissism serves as an advantage instead of a handicap."[62] The flick's editing by Kirk Baxter and Angus Wall was also lauded by critics, leading to their win of the Academy Honor for Best Film Editing.[63] Additionally, the motion-picture show'south score received positive commentary, with some reviewers stating that it was "a persistent source of simmering tension in the movie", and a "masterpiece".[64] [65]

Roger Ebert of the Chicago Sun-Times, giving it four stars and naming it the best moving-picture show of the year, wrote: "David Fincher's pic has the rare quality of existence not just as smart as its brilliant hero, merely in the same way. It is cocksure, impatient, cold, heady and instinctively perceptive."[66] Peter Travers of Rolling Rock gave the film his offset full iv-star rating of the year and said: "The Social Network is the movie of the year. But Fincher and Sorkin triumph by taking it farther. Lacing their scathing wit with an aching sadness, they ascertain the dark irony of the past decade."[67] The Harvard Reddish review chosen it "flawless" and gave it v stars.[68]

Joe Morgenstern in The Wall Street Journal praised the movie every bit exhilarating only noted: "The biographical function takes liberties with its subject. Aaron Sorkin based his screenplay on [...] The Adventitious Billionaires, so everything that's seen isn't necessarily to be believed."[69] Among the film'south very few negative reviewers was Nathan Heller of Slate, who described it as "rote and deeply mediocre" too as "maddeningly generic", and believed that, "Sorkin and Fincher's 2003 Harvard is a citadel of old coin, regatta blazers, and (if I am not misreading the implication here) a Jewish underclass striving beneath the heel of a WASP-centric, socially draconian culture... to get the university this wrong in this movie is no minor thing."[70]

The Social Network appeared on 78 film critics' top-ten lists of the best films of 2010, based on Metacritic's aggregation. Out of the critics, 22 ranked the motion picture first, and 12 ranked the moving-picture show second. Out of the films of 2010, The Social Network appeared on the near top-x lists.[71] [72] In 2016, The Social Network was voted the 27th-best pic of the 21st century by the BBC, every bit voted on by 177 film critics from around the world.[73]

In 2018, IndieWire writers ranked the script the fourth best American screenplay of the 21st century, with Michael Nordine arguing that "everything came together most perfectly on the movie, thanks in big office to Aaron Sorkin's Oscar-winning screenplay. Its finds the loquacious scribe at his best, with all the exact takedowns [...] and rapid-fire dorsum-and-forths we've come to expect (and, more than frequently than not, love) from him. Sorkin's portrayal of Mark Zuckerberg was hardly flattering, just recent headlines advise information technology may take been likewise sympathetic."[74]

Home media [edit]

The Social Network was released on DVD and Blu-ray January 11, 2011. In its first calendar week of release, DVD sales totaled $13,470,305 and it was the number-one-sold DVD of the week.[75] The DVD includes an audio commentary with director David Fincher, and a 2nd commentary with author Aaron Sorkin and the cast. The Blu-ray and 2-disc DVD releases include the commentaries, along with a feature-length documentary, How Did They Ever Brand a Movie of Facebook?, featurettes, Angus Wall, Kirk Baxter and Ren Klyce on Post, Trent Reznor, Atticus Ross and David Fincher on the Score, In the Hall of the Mount King: Reznor'southward Start Draft, Swarmatron, Jeff Cronenweth and David Fincher on the Visuals, and a Cherry-red Skye VIP Room: Multi-Angle Scene Breakdown feature.[76]

Accolades [edit]

The Social Network won the Best Motion Picture – Drama Gilded Globe at the 68th Gilded World Awards on January 16, 2011.[77] The pic likewise won the awards for Best Manager, All-time Screenplay, and All-time Original Score, making it the film with the most wins of the dark.[78]

The motion-picture show was nominated for seven British University Flick Awards, including Best Film, All-time Actor in a Leading Role (Jesse Eisenberg), Best Thespian in a Supporting Role (Andrew Garfield), and Ascent Star Honour (Andrew Garfield). It won three for Best Editing, Adapted Screenplay, and Best Direction on February 13, 2011.[79]

The Social Network received nominations for eight Academy Awards: Best Film, Best Actor, Best Cinematography, Best Director, All-time Film Editing, Best Original Score, Best Audio Mixing, and Best Adapted Screenplay.[eighty] Information technology won iii for All-time Adapted Screenplay, All-time Original Score, and Best Picture show Editing at the 83rd Academy Awards on Feb 27, 2011.

The flick won All-time Picture from the National Board of Review, National Lodge of Film Critics, New York Film Critics Circle, and Los Angeles Film Critics Clan, making it only the tertiary film in history—later on Schindler's List (1993) and L.A. Confidential (1997)—to sweep the "Big Four" critics awards.[81] The film also won the "Hollywood Ensemble Award" from the Hollywood Film Awards.[82]

Historical accuracy [edit]

Facebook founder Mark Zuckerberg expressed his dissatisfaction with the movie being made nigh him and noted that much of the picture'south plot was not factual.

The script was leaked online in July 2009.[83] [84] In November 2009, executive producer Kevin Spacey said, "The Social Network is probably going to be a lot funnier than people might wait it to be."[85] The Cardinal Courier stated that the motion picture was near "greed, obsession, unpredictability and sexual practice" and asked, "Although at that place are over 500 million Facebook users, does this hateful Facebook can get a profitable blockbuster movie?"[86]

At the D8 conference hosted by D: All Things Digital on June ii, 2010, host Kara Swisher told Zuckerberg she knew he was not happy with The Social Network beingness based on him, to which he replied, "I only wished that nobody made a motion-picture show of me while I was still alive."[87] Zuckerberg stated to Oprah Winfrey that the drama and partying of the flick is generally fiction, and that he had spent most of the past half dozen years focusing, working hard, and coding Facebook.[88] Speaking to an audience at Stanford University, Zuckerberg said that instead of making Facebook to "get girls", he made it because he enjoyed "building things".[89] He added that the film accurately depicted his wardrobe, saying, "It's interesting the stuff that they focused on getting right—like every unmarried shirt and fleece they had in that movie is actually a shirt or fleece that I ain."[89]

Facebook co-founder Dustin Moskovitz chosen the film a "dramatization of history ... it is interesting to see my past rewritten in a way that emphasizes things that didn't matter, (like the Winklevosses, who I've still never even met and had no part in the work nosotros did to create the site over the past six years) and leaves out things that really did (like the many other people in our lives at the time, who supported u.s. in innumerable ways)". According to Moskovitz:[90]

A lot of exciting things happened in 2004, only mostly we just worked a lot and stressed out about things; the version in the trailer seems a lot more heady, so I'thou just going to choose to recall that we drank ourselves silly and had a lot of sex with coeds. ... The plot of the book/script unabashedly attacked [Zuckerberg], but I actually felt like a lot of his positive qualities come out truthfully in the trailer (soundtrack aside). At the end of the twenty-four hours, they cannot help simply portray him equally the driven, forwards-thinking genius that he is.

Co-founder Eduardo Saverin said "the movie was clearly intended to be entertainment and non a fact-based documentary".[91] Sorkin said: "I don't want my allegiance to be to the truth; I desire it to be to storytelling. What is the large deal nigh accurateness purely for accuracy's sake, and tin we not have the true be the enemy of the good?"[4]

Announcer Jeff Jarvis acknowledged the motion-picture show was "well-crafted" but called information technology "the anti-social picture show", objecting to Sorkin's decision to change diverse events and characters for dramatic issue, and dismissing it equally "the story that those who resist the alter order is undergoing desire to see".[92] Technology broadcaster Leo Laporte concurred, calling the film "anti-geek and misogynistic".[93] Sorkin responded to these allegations by saying, "I was writing nearly a very angry and deeply misogynistic group of people".[94]

Andrew Clark of The Guardian wrote that "in that location's something insidious almost this genre of [docudrama] scriptwriting", wondering if "a 26-year-old businessman really deserves to have his name dragged through the mud in a murky mixture of fact and imagination for the full general entertainment of the movie-viewing public?". Clark added, "I'm not certain whether Mark Zuckerberg is a punk, a genius or both. But I won't exist seeing The Social Network to find out."[95]

Mashable founder and CEO Pete Cashmore, blogging for CNN, said: "If the Facebook founder [Zuckerberg] is concerned about being represented equally anything but a genius with an industrious piece of work ethic, he can breathe a sigh of relief."[96] Jessi Hempel, a engineering writer for Fortune who says she's known Zuckerberg "for a long time", wrote of the film:

The real-life Zuckerberg was maniacally focused on building a web site that could potentially connect anybody on the planet...By contrast, in the film he seems more obsessed with achieving the largesse that bad boy Sean Parker, an original Napster founder, portrays when he arrives to meet Zuckerberg at a New York eating place.[97]

Harvard Law School professor Lawrence Lessig wrote in The New Republic that Sorkin's screenplay does non acknowledge the "real villain" of the story:

The total and absolute absurdity of the world where the engines of a federal lawsuit get cranked upwards to adjudicate the hurt feelings (because "our idea was stolen!") of entitled Harvard undergraduates is completely missed past Sorkin. We can't know enough from the flick to know whether there was really whatever substantial legal claim here. Sorkin has been upfront well-nigh the fact that in that location are fabrications aplenty lacing the story. Just from the story as told, we certainly know enough to know that whatsoever legal system that would allow these kids to extort $65 meg from the most successful business this century should be ashamed of itself. Did Zuckerberg alienation his contract? Maybe, for which the damages are more than similar $650, not $65 million. Did he steal a trade secret? Absolutely not. Did he steal whatsoever other "holding"? Absolutely not—the lawmaking for Facebook was his, and the "idea" of a social network is not a patent. It wasn't justice that gave the twins $65 million; it was the fear of a random and inefficient system of police force. That system is a revenue enhancement on innovation and creativity. That tax is the real villain hither, not the innovator it burdened.[98]

In an onstage discussion with The Huffington Mail service co-founder Arianna Huffington, during Ad Week 2010 in New York, Facebook's Chief Operating Officer Sheryl Sandberg said she had seen the motion-picture show and information technology was "very Hollywood" and mainly "fiction". "In real life, he [Zuckerberg] was simply sitting around with his friends in front end of his figurer, ordering pizza", she declared. "Who wants to go run into that for two hours?".[99]

Divya Narendra said that he was "initially surprised" to see himself portrayed by the not-Indian actor Max Minghella, just besides admitted that the thespian did a "adept chore in pushing the dialogue forrard and creating a sense of urgency in what was a very frustrating menses".[100]

Legacy [edit]

Preliminary impact [edit]

Since its release, The Social Network has been cited as inspiring involvement in kickoff-ups and social media.[101] Bob Lefsetz has stated that: "watching this movie makes y'all want to run from the theatre, grab your laptop and build your own empire,"[102] noting that The Social Network has helped fuel an emerging perception that "techies have go the new rock stars."[103] This has led Dave Knox to annotate that: "fifteen years from now we might just expect dorsum and realize this movie inspired our next groovy generation of entrepreneurs."[102] After seeing the picture show, Zuckerberg was quoted as saying he is "interested to see what effect The Social Network has on entrepreneurship", noting that he gets "lots of messages from people who claim that they have been very much inspired... to beginning their own visitor."[104] Saverin echoed these sentiments, stating that the film may inspire "countless others to create and have that bound to get-go a new business."[105] In one such instance, the co-founders of Wall Street Magnate confirmed that they were inspired to create the fantasy trading community after watching The Social Network.[106]

Post-obit his success with the moving-picture show, Sorkin became fastened to another projection virtually a technology company, writing the script for the 2022 biopic Steve Jobs, which used a similar format.[107] Another Facebook picture may be produced, as Sheryl Sandberg has signed a deal with Sony Pictures Entertainment to develop her 2013 volume Lean In: Women, Work and the Will to Lead, into a movie.[108]

Post-2010s cess [edit]

Following the close of the decade, The Social Network was recognized as i of the all-time films of the 2010s. Metacritic reported that it was listed on over xxx movie critics' tiptop-ten lists for the 2010s, including viii offset-place rankings and 4 second-place rankings. Metacritic ranked The Social Network third overall, post-obit Mad Max: Fury Road and Moonlight.[109] Esquire named The Social Network the all-time of the 2010s, calling it Citizen Kane "for the Internet historic period" and dubbing information technology "the movie of our new millennium".[110] With Facebook going "from a utopian, globe-shrinking force of proficient to a potential threat to republic", Esquire wrote, "Fincher seemed to sense all of this and more than long before anyone else. And his brilliant, troubling film beard with that queasy sense of prophecy and prescience."[110] Polygon, calling The Social Network the all-time film of the decade, wrote, "The Social Network, past chance or by design, has get i of the nigh immensely relevant movies of this decade... But subsequently near a decade of watching Facebook 'motion fast and break things,' including news websites, social video, politics, etc., the pic's tangible sense of tension can easily exist reinterpreted as foreboding for what comes later you make a billion friends."[111] Managing director Quentin Tarantino chosen the picture the best of the 2010s, singling out the script by Aaron Sorkin, whom he described as "the greatest active dialogist".[112]

Rolling Stone ranked The Social Network second after Moonlight (2016) on its end-of-decade list, describing it as "one deliciously re-watchable preview of the apocalypse, as entertaining and derisive as it is troubling and startlingly prescient".[113] Time Out named it the quaternary-best of the decade, "Powered by a relentless, clinical Aaron Sorkin script, directed with sinuous grace by David Fincher and loaded with smirking, smart-ass central performances, The Social Network is arguably the most important and prophetic film of our era, itself a depressing thought."[114] ScreenCrush ranked The Social Network eighth, referring to it as "[Fincher's] spiritual sequel to Fight Lodge, another story of a embittered, alone homo who discovers unleashing his rage at society has unexpected consequences".[115] Mashable, list The Social Network among the elevation 15 films of the 2010s, said of the story, "Information technology was everything immature people could exist and everything older generations feared in us before a decade of blaming [u.s.a. for] problems we didn't create and can't solve."[116] IndieWire ranked The Social Network sixteenth among the decade's films, writing, "The Social Network is both a thrilling, queasy exploration of how Facebook came to exist and a searing indictment of what it would inevitably become."[117] Changed listed the picture amid those defining "class rage" in the 2010s, "As a gently prodding diagnosis of class conflict, The Social Network is a logical place to commencement."[118]

Possible sequel [edit]

In Jan 2019, Sorkin revealed that Rudin has suggested the development of a screenplay for a sequel, noting, "A lot of very interesting, dramatic stuff has happened since the pic ends."[119] Sorkin besides mentioned that in that location was indeed enough fabric to create a sequel.[120] On July eighteen, 2019, Eisenberg expressed his interests in starring in the proposed sequel, stating that "Sorkin is a genius, and if he chooses to write most something, I'll apparently be interested".[121] In October 2020, a decade after the film's release, Sorkin announced that he would merely write the sequel'south script if David Fincher returns equally director.[122]

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External links [edit]

  • Official website
  • The Social Network at IMDb
  • The Social Network at Rotten Tomatoes
  • Official screenplay

boydstootherents.blogspot.com

Source: https://en.wikipedia.org/wiki/The_Social_Network

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